Jazz clinics and a saxophone masterclass have been the theme of the last month. I have had quite a few Zooms calls for high school and university music programs. No visits to exotic destinations, but great conversations, nonetheless. 🙂 Please contact me if you would like me to visit with your students!
After that, I joined Dr. Mary-Karen Clardy and the UNT College of Music flute studio for a masterclass. My presentation was entitled “The Flute in Jazz and Commercial Music.” We discussed some of my work as a jazz saxophonist, flutist, and clarinetist. Then, we talked about approaching the flute from a classical performance background. The students had lots of great questions!
As President-Elect of the Oklahoma Jazz Educators’ Association, I participated in a jazz education director roundtable for the SWOSU JAZZ A, JAZZ B, and the 51st Annual Jazz Festival. The panel was moderated by Dr. Richard Tirk and featured Oklahoma jazz educators Dr. Terry Segress and Joe Metzer. We discussed music selection, rehearsal techniques, and recruiting strategies for middle school, high school, and college jazz bands. Dallas jazz musician and drummer Stockton Helbing was the guest artist for the festival. Have a listen to his music at his site.
This week, I presented “Taming and Tuning Your Saxophone Section” for the Kentucky Music Educators Association conference. In this clinic, I explained saxophone tone fundamentals and gave practical steps for music educators to develop their saxophone section performers. After presenting this at the Texas Music Educators’ Association and the Jazz Education network conferences, I had some great feedback from directors. I thought this was an oddly quiet Zoom call. Afterwards, I found out after the fact that 50 attendees were watching and commenting on the conference website.
Music education colleagues, please contact me if I can offer help to you or your students. I offer clinics in the areas of saxophone, clarinet, flute, jazz improvisation, and music technology. I am glad to work with your departmental budget restraints. Also, you may apply for clinic funding through Conn-Selmer or Vandoren USA.
Looking forward to sharing thoughts on tone, technique, and detailed walkthroughs of the three TMEA all-state band saxophone etudes on Monday, August 3rd from 7:30-9 PM. After 7+ years of online teaching and guiding hundreds of students through this process, I look forward to sharing what I have learned. Texas saxophonists auditioning for all-region and all-state bands are welcome to attend. Register Here!
When I post the TMEA and OKMEA saxophone etudes every year, quite a few students comment and ask for tips on the improvisation etudes. This year, I wanted to dedicate a special masterclass to this. Join me Thursday night and learn the keys to practicing and improvising over F Blues, Autumn Leaves, ii-V-I vocabulary, and more.
This will cover F blues (TX/OK) and Autumn Leaves (TX), two common songs/progressions that all jazz musicians should know.
As long as I have played music, I have always enjoyed performing on Vandoren reeds on both saxophone and clarinet. Their consistency, quality, and beautiful tone make them a natural recommendation for students and professionals. For these reasons, I am thrilled to partner with DANSR, Inc. as a Vandoren Regional Artist, presenting clinics and masterclasses at schools across the region. Music teachers who would like to host a free Vandoren masterclass for your saxophones, clarinets, or jazz band may fill out the Contact Form. Please include your name, school name, possible clinic dates/times, and desired topics (ex. articulation, reed selection, all-state masterclass, jazz improvisation). Looking forward to visiting your school soon!